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Trash Can School - Volume War | Sympathy For The Record Industry (SFTRI 240) - main
Trash Can School - Volume War | Sympathy For The Record Industry (SFTRI 240) - 1Trash Can School - Volume War | Sympathy For The Record Industry (SFTRI 240) - 2Trash Can School - Volume War | Sympathy For The Record Industry (SFTRI 240) - 3Trash Can School - Volume War | Sympathy For The Record Industry (SFTRI 240) - 4

Sympathy For The Record Industry (SFTRI 240)

1x Vinyl LP Album Limited Edition

Release date: Jan 1, 1993, US

£7
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Media: Near Mint (NM or M-)
Sleeve: Very Good Plus (VG+)

US first press 1993. Limited edition of 1000. Record beautiful condition. Sleeve still in shrink with minor creasing
Trash Can School was a sextet with three guitars (J. Francis Connors, Jim Miller, Jack Gould) and a saxophone (Andy Seven). They debuted with the dark voodoobilly of Horses (Sympathy, 1989), backed with the wild, anthemic Phantasm III. Second single One Eyed Car (Dionysus, 1990) was backed with two delays masterpieces of punk fever, Subway Shriek and Satan' s Favored Groupie. Their third single (Sympathy, 1990) had the manic Baby Lust and the swinging rockabilly instrumental Yes I Mean No. All these singles were characterized by to terrifying rhythmic impetus. The spy theme Silver Surfer (1992) appeared on to compilation. On Sick Jokes And Wet Dreams (Sympathy, 1992) the tension of the blues vibrates-punk of the Birthday Party and the cerebration of the jazz-punk of Saccharine Trust. The following year Volume War gives back their hybrid punk, depurandolo of the intellectual drosses. In Taunt a guitar holds a melodic riff and dragging, from powerpop, even if the other raise barriers of distortions. The blues and the jazz of the roaring years flood in Taxidermist and Powershred, pieces in which the sax of Seven has way to clash the rhythms swing. Those sources are camouflaged in the refined harmony of Steorid Shock, dreamlike than exotic, jazz than rock, and excited in the Ballad Of Peter Green, between left cadences of marsh and tearing you recall bluesrock of the guitars. Only the urgent TV Blues has to something to the Cramps, only burning it Volume War has to something to the Stray Cats. For the remainder their interpretation of the blues is mature and austere.

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A1

G.I.T.

A2

Taunt

A3

Taxidermist

A4

Ballad Of Peter Green

A5

Dt's

A6

I Am The Fly

B1

TV Blues

B2

Steel Purse

B3

Steroid Shock

B4

Powershred

B5

Volume War